Tired of talking about it?

"Oh, I've had this idea for a novel, but..."

This is one of the phrases I hear regularly when people find out I'm an author. The operative word is "but."

There's a common misconception that everyone has at least one novel in them. I disagree. Anyone can write a novel but whether that novel is going to be worth reading... that is another story.

Some people are seized by an idea but they don't act on it. I've an acquaintance who taps her noggin and tells me, "It's all up here."

I smile and nod, while thinking, "Yeah right, you gotta show, don't tell."

When I was about 12 or 13 I knew I'd get 'round to writing a novel one day. I stopped myself from doing so because I didn't have a story. A lot of people start writing because they've got "cool" characters. They reckon the story "will happen" as they start writing. Although this method may work for some, more often than not, it's a dismal failure, with a writer's efforts fizzling out after one or two chapters.

Trust me. I've been there.

So, how do I do it? I've written five complete novels, two of which have been sold to a US-based press. One (the second) I shoved under my bed because I know it's just... well... Let's just say it ain't gonna happen 'cos the plot was pure wangst. One is currently sitting with my agent and I completed the first draft of the last yesterday. This is within the space of three years.

This is entirely possible because I know where the story is going to end before I start writing it. I plan. I outline and I also allow leeway for any incidental story arcs that take place while I write. Then, I get my posterior on a chair (or in my case, a daily two-hour commute by train to the centre of Cape Town) and I write. On a good day I put away between 1 000 to 2 000 words.

Next month is November. For those of you in the know, it's NaNoWriMo. I didn't think about it, didn't even consider the potential... But you see... I have this story... And I know I can do it...

And even if I don't finish, it's going to be one helluva ride. So, I guess what I'm trying to say with this is that you should stop talking about writing that great (insert nationality) novel and get cracking. Lay down those words. Don't overanalyse what you're doing. Just get those ideas down. Find a story that speaks to you and bring it to life. If you look hard enough you'll see you've got more than one hiding in there.

C'mon, I double dare you!

http://www.nanowrimo.org

"I Love My Bad Guys"

First off, I wanted to thank Nicole for inviting me to share some information with her regular readers. my novels all tend to run towards the PI/mysrey genre, but I have begun writing short stories with a decidedly paranormal flair to them. This article deals with some concepts the writers and readers of all types of fiction could benefit from.

I was lucky enough to be able to attend the International Festival of Authors in Toronto this past year, the short drive across the Peace Bridge into Canada being yet another perk of living in Western New York. While there, I attended a roundtable discussion of the psychology of the villain in contemporary fiction. The formal title of the roundtable was “Psycho-babble – Inside the Character’s Twisted Mind.” The panel included such heavyweights in crime and thriller fiction as John Connolly, Jeffery Deaver, Elena Forbes, and newcomer Ross Raisin. As a mystery writer myself, it was a thrill to sit and listen to these writers discuss their writing, their work schedules, their inspirations, and their unique insights into character development. And as they went on, I noticed a common theme to all of their writing, and it was said best by Deaver: “I love my bad guys.”
Here’s a sampling of the items touched on by the panel:
1. Create villains that are real to engage the reader. If the hero prevails against a cardboard bad guy, then it is the hero who is diminished. But think about what you do to the villain, and be careful not to make him more captivating than the hero.
2. It is also important that along with being bad, your villain must be human. You should have the reader asking why he does what he does. The bad guy may not always see himself as bad, or he may see what he does is good based on his sense of right or wrong.
3. Be a compulsive researcher as much as possible. Develop an interest in people beyond themselves, and even develop affection for them. That way you can find the humanity in your villain and all your characters.
4. Most people, villains and bad guys included, act out of selfishness and/or fear. For one example, they discussed the concept of Mad vs. Bad in relation to the villain. The villains that are interesting to these writers are the ones who lack a social or moral compass. In other words, they may be perfectly aware they are committing a crime, and are perfectly fine with it.
5. There is always a conflict between truth and credibility. Believe it or not, the authors found that there are so many real life crimes that are too incredible in their very nature to make effective stories. Despite being true, they would not make credible stories. The “ick” factor of many true stories is an incredibly fine line to walk for most writers. This discussion gave rise to one of the funniest exchanges of the afternoon. John Connelly was saying that he does not read as much true crime as he used to, due to the gratuitous use of shock and violence. He also criticized another crime fiction writer for doing just that, and drew fire himself for the critique. He asked the panel. “Do we have to be nice and not criticize each other?
Jeffery Deaver responded, “John, we all know 50 ways to kill people.”

So how do you all handle creating your bad guys? and what do you love about them? I'm dying to hear...